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Rotunda Gallery EXHIBITION Seasons of Change Robert-Jean Ray DATES: SEP 18 - JAN 16 YEAR: 2021 Previously on view in the Rotunda Gallery < Back OVERVIEW ADDITIONAL INFORMATION ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. Previous Next

Rotunda Gallery EXHIBITION Windows into the Soul Raja GuhaThakurta DATES: OCT 2 - JAN 16 YEAR: 2021 Previously on view in the Rotunda Gallery < Back OVERVIEW ADDITIONAL INFORMATION Previous Next

Warburton Gallery EXHIBITION A Celebration of Paintings Diane Brandenburg DATES: MAY 13 - JUN 18 YEAR: 2023 Previously on view in the Warburton Gallery < Back OVERVIEW ADDITIONAL INFORMATION ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. "Art is one of the languages from our souls" (author unknown) The above statement resonates between my heart and my brain as I pick up a brush, dip it into water and then my palette and then onto the paper or canvas before me. Inspirational music flows in the background, awakening my senses and then I begin... So much of my art comes from past experiences. When I was younger, I climbed most of the High Sierra Peaks in Yosemite. As a result, a lifelong interest and passion was developed, to study the formations and paint the summits of many of the mountain ranges on our planet. We have a home near the ocean. So again, I am able to study the changing moods of the ocean and the cliffs that provide the boundaries for the waves to reach their destinations and dissipate. Flowers are another subject I love to study. Their shapes and sizes, their breathtaking beauty and what about the colors and shadings of their petals, that nature has created? Simply amazing! Young children, especially my grand-babies, are so fresh and innocent, when you catch them in their curious poses. Abstract art fascinates me. I love to explore colors and shapes and some of my outcomes have been exciting. However, there have also been disasters, which I accept as a learning process. In summation, I have been fortunate to study abroad and here in the United States with acknowledged and prize-winning artists: Tom Nichols, Robbie Laird, Jane Hofstetter, Dales Laitinen, Stephen Quiller and Gerald Brommer, to name a few. They encouraged and supported me through all my amateurish struggles, to become what I wanted to be. Diane Miriam Brandenburg "Perfection is an enemy to creativity..." D.M.B. Diane Brandenburg, Sapphire Glacier, Date Unknown, Watercolor. Previous Next

Unknown EXHIBITION Aliens Enrique Chagoya DATES: FEB 8 - APR 19 YEAR: 2020 Previously on view in the Unknown < Back OVERVIEW ADDITIONAL INFORMATION ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. Previous Next

Cowell Gallery EXHIBITION Expression of an Inner Life Susan Krough DATES: SEP 3 - DEC 23 YEAR: 2022 Previously on view in the Cowell Gallery < Back OVERVIEW ADDITIONAL INFORMATION ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. "Justice - Tribute to Ahmaud" Previous Next

< Back Street Photography Workshop with Eduardo Rufeisen Price Members: $90, Non-Members: $95 Location Triton Museum of Art Dates Saturday, January 31st, 2026 from 9:30AM-12:30PM Duration 1 Day Enroll About the Course Discover how to transform everyday moments and urban scenes into powerful visual stories. Join us at the Triton Museum for a hands-on workshop that introduces the foundations of photography through the lens of Street Photography — a genre rooted in curiosity, timing, and the art of seeing. Explore how to observe the world with intention, recognize meaningful moments as they unfold, and translate the pulse of the streets into expressive images. Under the guidance of educator and award-winning photographer Eduardo Rufeisen, this workshop will help you develop both your unique perspective and technical confidence with inspiration from a museum setting. Objectives : Learn fundamentals of Street Photography, composition, lighting, storytelling through imagery, camera handling in public spaces, and ethics/etiquette. Develop your artistic voice and visual narrative. Leave with a better eye for candid moments, improved technical control, and greater confidence to document life on the streets authentically. Content: A Brief History of Street Photography: Understand how the genre emerged and why it continues to shape visual culture today. Influential Photographers and Approach: Study key figures such as Henri Cartier-Bresson and learn how their methods can inform your own way of seeing. Photography Fundamentals: Aperture, shutter speed, ISO, focusing techniques, and how to work quickly in dynamic environments. Composition and Visual Storytelling: Learn how framing, perspective, and spatial awareness transform ordinary scenes into compelling images. The Heart of Street Photography: Train your eye to recognize candid moments and emotional resonance within everyday life. Inspiration and Mindset: How to notice what others overlook — and develop your personal photographic style. Ethics and Confidence: Respectful and mindful approaches to photographing in public spaces. Urban Photo Walks and Assignments: Guided shooting sessions around the Triton Museum to put techniques into practice and encourage creative exploration. Materials Required: Please bring your own device. Any camera is welcome — DSLR, mirrorless, film, or even your smartphone! If using a camera, a digital camera is preferred for instant review. If using a smartphone, please bring a phone with camera capability. If possible, download the “Leica LUX"- Pro Manual Camera” phone application for a more controlled photographic experience. The entry level for this application is free. Attire: Please wear comfortable clothes and walking shoes, especially for participating in the photo walks around the museum. FAQ: Cancellations: The Triton Museum may cancel a class, camp, or workshop due to weather, health, an emergency, or low attendance. In those cases, the registered attendee will be notified of the cancellation as soon as possible and will be offered a refund or credit for the class. Photography Policy: The Triton Museum reserves the right to use photographs taken during classes and workshops for publicity and media purposes. This includes but is not limited to the Triton website and social media. If you do not want yourself or your child included in these photographs, please notify Triton staff at the time of enrollment. Questions? Please contact education@tritonmuseum.org Skill/Age Limit: For ages 18 and over. Open to beginner-level and intermediate photographers. Any camera is welcome! DSLR, mirrorless, film, or even your smartphone (digital camera preferred for instant review, or smartphone with camera preferred) Your Instructor Eduardo Rufeisen Eduardo Rufeisen is an award-winning filmmaker and educator. His films and documentaries have participated and won multiple awards in the United States, Canada, Germany, England, France, Italy, Portugal, Belgium, Romania, Israel, India, Russia, and Brazil. Eduardo Rufeisen has a Bachelor of Science Degree in Economics from the prestigious South American University, UNICAMP (Universidade Estadual de Campinas), a Graduate degree in Marketing from the Escola Superior de Propaganda e Marketing in São Paulo, Brazil, and a Master’s of Fine Arts degree (MFA) in Motion Pictures and Television from the Academy of Art University in San Francisco, California. Currently, he runs his own film production company and teaches film studies and production at 5 colleges in Northern California. Website: https://eduardorufeisen.wixsite.com/portfolio

< Back Triton Talk: How I Use AI - A Writer's Perspective with Guy Kawasaki Price Free Location Triton Museum of Art Dates January 29th, 2026 from 7:00PM-8:00PM Duration 1 Day Enroll About the Course As an author based in Silicon Valley, Guy Kawasaki has written on a multitude of innovative topics since 1987. Through books such as The Macintosh Way and Think Remarkable , his writing focuses on the tactical and practical in order to empower and inspire. In this upcoming lecture, Guy will share his perspective on the utilities of AI in writing and creative expression. This Triton Talk is part of a lecture series that focuses on the intersection of Art, Science, and Technology. Join us at the Triton Museum for this exciting installment! Questions? Please contact education@tritonmuseum.org Your Instructor Guy Kawasaki Guy Kawasaki is the chief evangelist of Canva, host of the Remarkable People podcast, author of Wiser Guy, Think Remarkable, and sixteen other books, and adjunct professor of UC Santa Cruz. He was the chief evangelist of Apple, trustee of the Wikimedia Foundation, and brand ambassador of Mercedes-Benz. Kawasaki has a BA from Stanford University, an MBA from UCLA, and an honorary doctorate from Babson College. Website: https://guykawasaki.com/

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Seams Cynthia Ona Innis JAN 17 - APR 19 Will be on View in the Marquee: Blue Slip , 2024, acrylic paint and ink on fabric and ribbon Permanent Collection Gallery < Back Overview Cynthia Ona Innis is a visual artist based in Berkeley, California. She holds a BA from the University of California, Berkeley, and an MFA from Rutgers University. Her work is included in the permanent collections of the San Jose Museum of Art, Berkeley Art Museum and Pacific Film Archive, Crocker Art Museum, and the Fine Arts Museums of San Francisco, among others. Innis has been recognized with numerous awards, including a 2025 Pollock-Krasner Foundation Grant, a James D. Phelan Award, a MacDowell Fellowship and a Sustainable Arts Foundation Award. She is represented by Walter Maciel Gallery in Los Angeles. Artist Statement My work begins with painting, then moves through disassembly and reconstruction—an ongoing exploration of connection and division. Where there is a seam, two or more things converge. These seams mark the j oining of materials as well as the meeting of times, places and states of being. Moments such as sunrise and sunset, moonrise and nightfall fold into one another, revealing how change itself creates continuity. In a fractured world, the seam becomes both metaphor and method: a site where rupture and repair coexist. Seams explores the interplay of light, landscape and weather as a way to map perception and memory. The shifting glow of the sun, the stillness of the moon and the vastness of the night sky form a temporal and spatial framework for orientation and reflection. Informed by distinct weather patterns of coastal California, the marine layer, coastal fog and rays of light emerge as visual language that mirrors the mutable rhythms of the natural world. My approach to abstraction is rooted in a physical, process-driven practice. Pigments are poured directly onto fabric, or bleached to remove color, to create a dialogue between accumulating and editing, masking and unveiling, presence and absence. Materials such as cotton, canvas, nylon, and silver lamé hold equal weight to the pigments. Cut, reassembled and stitched, the surfaces echo tectonic movement and natural cycles of fragmentation and repair. Recent wall installations expand this practice through scale and suspension and the responsiveness of materials. Often beginning with recycled or discarded textiles, painted and sewn fabric panels are attached to wooden supports allowing them to hang freely and respond subtly to air and motion. In Fixing on a Horizon , multiple horizon lines reference sunrise and sunset as shifting points of equilibrium and orientation, while Blue Slip traverses gradients of blue, from pale to near-black that evoke twilight’s liminal expanse between clarity and obscurity. Across these works, stitching, knitting, layering, and suspension become meditations on connection and fracture—memory and material, permanence and impermanence. The resulting surfaces reflect the layered experiences that shape how we see and move through the natural world. Previous Next

AUG 16 - JAN 4Mark Engel is a figurative painter whose practice investigates the body as a site of transformation, perception, and psychological depth. Drawing on themes of connection, involution, and the fluid nature of selfhood, Engel constructs layered compositions that merge the figure with elements of landscape, gesture, and abstraction. His paintings explore the tension between form and dissolution, using fragmentation and distortion to reflect transitional states and the porous boundaries between interior and exterior experience. Engel’s approach is rooted in process and intuition. Each composition unfolds through cycles of addition and subtraction, allowing unconscious associations and emotional resonance to emerge. By balancing structure with flux, his work invites reflection on the instability of identity in a world shaped by constant change and relational complexity. He has exhibited widely in solo and group exhibitions, including Shapeshifters at Know Future Gallery, Constellations at Vargas Gallery, and group shows at Baton Rouge Gallery Center for Contemporary Art, Limner Gallery in New York, and 33 Contemporary Gallery in Chicago. His work has been featured in Create! Magazine, Artsin Square, and Curatory Magazine. Engel is a professor at Mission College in Santa Clara, California, and has contributed to arts education through teaching residencies and faculty exhibitions. His ongoing exploration of the figure offers a visual language for the complexities of becoming. Shifting Terrain Mark Engel AUG 16 - JAN 4 Now on View in the Permanent Collection Gallery Plan Your Visit < Back Marquee: Shifting Terrain , 2024, acrylic and spray paint on canvas Overview Mark Engel is a figurative painter whose practice investigates the body as a site of transformation, perception, and psychological depth. Drawing on themes of connection, involution, and the fluid nature of selfhood, Engel constructs layered compositions that merge the figure with elements of landscape, gesture, and abstraction. His paintings explore the tension between form and dissolution, using fragmentation and distortion to reflect transitional states and the porous boundaries between interior and exterior experience. Engel’s approach is rooted in process and intuition. Each composition unfolds through cycles of addition and subtraction, allowing unconscious associations and emotional resonance to emerge. By balancing structure with flux, his work invites reflection on the instability of identity in a world shaped by constant change and relational complexity. He has exhibited widely in solo and group exhibitions, including Shapeshifters at Know Future Gallery, Constellations at Vargas Gallery, and group shows at Baton Rouge Gallery Center for Contemporary Art, Limner Gallery in New York, and 33 Contemporary Gallery in Chicago. His work has been featured in Create! Magazine, Artsin Square, and Curatory Magazine. Engel is a professor at Mission College in Santa Clara, California, and has contributed to arts education through teaching residencies and faculty exhibitions. His ongoing exploration of the figure offers a visual language for the complexities of becoming. About the Artist I use the human figure as a central motif to explore themes of connection, transformation, and involution. My work revolves around the ever-changing motion of selfhood and explores the dynamic interplay between external forces and internal experiences. Process is an essential component in my work, and I build compositions that combine the figure with landscape, fragmentation, distortion, and gesture to reflect transitional states. Relying heavily on intuition, I feel my way through each composition by adding and subtracting elements to arrive at an image that is broader than my conscious awareness and infuses the work with a deeper level of meaning. I strive to find a balance between retaining form and dissolving into abstraction to capture the fluid nature of becoming and soften the boundaries between self and other. Previous Next

AUG 30 - JAN 11Born in India in 1980 and now based in San Francisco's Bay Area, I established my full-time sculpture practice in 2018 after serving as Vice President in the exhibitions industry and working as a market research consultant. My practice centers on an intimate dialogue with wood—specifically naturally felled trunks that I transform into abstract sculptures exploring ecology, memory, and cross-cultural connection. Largely self-taught, I have developed a distinctive sculptural language through direct experimentation with materials, allowing me to create techniques that emerge organically from the wood itself rather than from prescribed methodologies. My technical approach lies in a unique process I have developed with fire. Drawing from my Indian heritage, where fire represents sacred transformation, I use controlled charring to "paint" wooden surfaces, revealing the hidden architecture of growth rings and grain. This technique—exemplified in my redwood sculptures—involves expanding the wood's surface area threefold through careful carving, then applying fire to create rich, textured finishes that speak to cycles of destruction and renewal. The resulting works transform solid mass into something ethereal, making visible the temporal layers embedded within the material. Beyond wood, I incorporate culturally significant textiles—saris and lungis from my multicultural community, as well as individual sari threads that I weave into carved surfaces—that bridge themes of migration and intimate history with larger environmental narratives. Recent explorations have expanded into aluminum, metal casting of wood forms, and 3D printing, maintaining my focus on the intersection of traditional craft and contemporary concerns. My work has been widely exhibited across California, featured in prominent arts festivals, and realized through public art commissions that engage directly with local communities. I hold degrees in Mathematics and Economics and an MBA. Our Stories Live Underground Priyanka Rana AUG 30 - JAN 11 Now on View in the Rotunda Gallery Plan Your Visit < Back Marquee: Reeds , 2023, Douglas-fir and anodized aluminum Overview Born in India in 1980 and now based in San Francisco's Bay Area, I established my full-time sculpture practice in 2018 after serving as Vice President in the exhibitions industry and working as a market research consultant. My practice centers on an intimate dialogue with wood—specifically naturally felled trunks that I transform into abstract sculptures exploring ecology, memory, and cross-cultural connection. Largely self-taught, I have developed a distinctive sculptural language through direct experimentation with materials, allowing me to create techniques that emerge organically from the wood itself rather than from prescribed methodologies. My technical approach lies in a unique process I have developed with fire. Drawing from my Indian heritage, where fire represents sacred transformation, I use controlled charring to "paint" wooden surfaces, revealing the hidden architecture of growth rings and grain. This technique—exemplified in my redwood sculptures—involves expanding the wood's surface area threefold through careful carving, then applying fire to create rich, textured finishes that speak to cycles of destruction and renewal. The resulting works transform solid mass into something ethereal, making visible the temporal layers embedded within the material. Beyond wood, I incorporate culturally significant textiles—saris and lungis from my multicultural community, as well as individual sari threads that I weave into carved surfaces—that bridge themes of migration and intimate history with larger environmental narratives. Recent explorations have expanded into aluminum, metal casting of wood forms, and 3D printing, maintaining my focus on the intersection of traditional craft and contemporary concerns. My work has been widely exhibited across California, featured in prominent arts festivals, and realized through public art commissions that engage directly with local communities. I hold degrees in Mathematics and Economics and an MBA. About the Artist It took me a long time to own that I am an artist. Beginning my sculpture practice late in life, I discovered in wood a collaborative partner willing to tell stories—both mine and its own. The title of this exhibition, borrowed from Terry Tempest Williams' "When Women Were Birds," speaks to the hidden narratives that live beneath the surface, waiting for the right conditions to emerge. This exhibition spans several series from my practice, exploring themes of memory, nostalgia, and destiny while reflecting on healing, human behavior, and our relationships with the natural world. It bridges the cultural heritage of my Indian origins with the multicultural fabric of my Bay Area home. In our increasingly disconnected world, trees offer profound lessons about interdependence—their underground networks remind us that isolation is an illusion, that we are constantly in relationships through unseen connections. As you encounter these works, I invite you to pause and reflect: Which of your own stories live underground? What narratives are waiting to be revealed? These sculptures ask for slower looking, deeper listening, reminding us that the most profound stories—like the most resilient forests—grow their strongest connections underground, in the dark, patient spaces where transformation quietly takes root. Previous Next

AUG 30 - JAN 11The California Society of Printmakers is America’s oldest non-profit, member-run, printmaking organization. This exhibition will be a curated selection of works from artists across the United States; this is an opportunity for the selected artists to showcase their most innovative and evolving creations. In the national call for artists, entrants are highly encouraged to conceptualize works beyond the traditional bounds of printmaking - to embody structures that expand beyond the paper’s edge, extend off the wall, interlocks, and even express in multiples - telling a great story. Expanding the Field; New Ideas in and Beyond Print California Society of Printmakers AUG 30 - JAN 11 Now on View in the Mathias Gallery Plan Your Visit < Back Marquee: Tea For Four by Linda Craighead Overview The California Society of Printmakers is America’s oldest non-profit, member-run, printmaking organization. This exhibition will be a curated selection of works from artists across the United States; this is an opportunity for the selected artists to showcase their most innovative and evolving creations. In the national call for artists, entrants are highly encouraged to conceptualize works beyond the traditional bounds of printmaking - to embody structures that expand beyond the paper’s edge, extend off the wall, interlocks, and even express in multiples - telling a great story. About the Artist For this exhibition, Expanding the Field; New Ideas in and Beyond Print , artists have been invited to submit work that incorporates any form of hand pulled printmaking, with end results including, but not limited to: large scale print work, innovative/experimental print techniques, modular assemblages, installation, sculptural elements, art book constructions, two-dimensional prints, and more. The juror for this exhibition, Monique Martin, is an internationally recognized, multidisciplinary artist from Saskatoon, Canada with a 25-year exhibition history who has exhibited her artwork in hundreds of significant solo, invited, and juried exhibitions in numerous countries. Artists Selected for this Exhibition: Florence Alfano McEwin Cascade Almond Karen BadenThapa Marit Berg Stephanie Berrie Samantha Buchanan Macy Chadwick Emily Cladinos Teresa Cole Margaret Craig Linda Craighead Steven Dalber Holly Downing Matthew Egan JoSep Ferrer Candace Garlock Bushra Gill Kevin Harris Susanna Harris Carol Hayman Raluca Iancu Emily Kampa Quinn Keck Anna Kenar Barbara Kibbe Patty Kennedy-Zafred Eunkang Koh Reggie Kramer Amanda Lilleston Emma Lowe Lynk Collective: Yeansoo Aum, Andra Broekelschen, Lucy Farley, Christina Yasmin Fesmire, Karen Fiorito, Carole Gelker, Bill Jaros, Nguyen Ly, Jared Millar, Comar Muwaren, Colleen Kennedy Premer, Marina Polic, Vera Polic-Lakhal, Olga Ryabtsova, Paula Voss, Zana Zupur Beauvais Lyons Kent Manske and Nanette Wylde Mary V. Marsh Laura McHugh Klea McKenna Nathan Meltz Karen Palamos Aaron Pennington Nathan Pietrykowski Maxwell Plus Tatiana Potts Eric Sanchez and Matt Reynoso Sarah Sanford Jennifer Scheuer Susan Silvester Karen Slater Robynn Smith Jami Taback Cal Tabuena-Frolli Melanie Robyn Wall Erik Waterkotte Dan Welden Donna Westerman Dana Zed Previous Next