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See all of our current and upcoming events at the Triton Museum of Art. What's On 2026 Salon at the Triton: A 2D Art Competition & Exhibition Submission deadline: March 13, 2026 Exhibition: May 2 - August 16, 2026 Artists Reception: May 16, 2026 Welcome to the 2026 Salon at the Triton: A 2D Art Competition & Exhibition - our annual art competition! Open to all artists living and working in California, this is an incredible opportunity to show off your work. And who knows? You may just see your work on our Museum's walls. For all information on this competition, including entry instructions, juror information, and important deadlines, head over to our dedicated webpage. tritonmuseum.org/salon-2026 or click the 2026 SALON link under our Art + Events tab! RSVP Nurturing Creativity by Shannon Amidon - Talk and Book Signing Saturday, May 23rd, 2026 2:00PM - 3:30PM Free Admission (RSVP on Eventbrite) Inside the Triton Museum Artist, writer, and community-builder Shannon Amidon presents an informative talk on her forthcoming book Nurturing Creativity- A Guide to Building Your Artist Residency and Cultivating Creative Community, a practical guide to starting and sustaining an artist residency program and building community. Drawing directly from her experience founding The Verdancy Project, a multidisciplinary nature-based artist residency in Troutdale, Oregon, Shannon reflects on what it truly takes to build a creative community from the ground up: the courage it requires, the unexpected challenges, and the deep rewards of creating space for other artists to thrive. Whether you are an artist curious about new ways to support your peers, or simply interested in how creative spaces come to life, this talk offers an accessible and honest look at the process. A book signing and conversation follow. This event is free and open to the public (including free parking).

Discover the 2026 SALON AT THE TRITON: 2D art competition & exhibition in Santa Clara, California. Join top Santa Clara California art competitions today! 2026 SALON AT THE TRITON: 2D ART COMPETITION & EXHIBITION A Call to California Artists! The Triton Museum of Art is thrilled to announce the commencement of the 2026 Salon at the Triton: 2D Art Competition & Exhibition. The purpose of this competition and exhibition is to showcase the diverse talents of artists living or working in California, and to assist the Triton Museum of Art's mission in supporting and building community through diverse exhibition and art programs. Aspiring and established artists alike are encouraged to participate in this highly popular exhibition, which allows for submissions in various 2D mediums and is open to any subject. The deadline to submit artwork is March 13, 2026 at 10:00PM PST. Submissions are now CLOSED. Thank you for your entries. Announcement Instructions Important Dates/Deadlines January 30 - March 13 March 13 (at 10PM) April 1 - April 3 April 4 - April 18 (the Museum will be closed April 5 in observance of the Easter Holiday) May 2 May 16 (12PM - 2PM) August 16 August 20 - September 4 Submission/Entry Period Entry Deadline Acceptance/Non-Acceptance Emails Sent Art Drop-Off Period Exhibition Opens Artists Reception (Winners will be announced) Exhibition Closes Art Pick-Up Period Juror Information Mei-Ying Dell'Aquila Mei-Ying Dell’Aquila is a Taiwanese American, award-winning artist, and art educator based in California. Working primarily in oil, her paintings have been featured in solo and juried exhibitions at museums across the United States. She holds a Master of Arts degree from San Francisco State University and is the former owner and instructor of My Art School. She currently teaches art at the Triton Museum of Art in Santa Clara, California. As an educator, Mei-Ying encourages students to become the best versions of themselves by promoting self-empowerment, the belief that individuals can take charge and change the world for the better. This philosophy is evident in her own paintings, which depict strong, confident figures infused with energy and dynamism. Lorraine Lawson Lorraine Lawson is a California based fine artist whose work explores abstraction, memory, and the layered textures of lived experience. Working primarily in painting and mixed media, her practice draws on material history, intuitive mark-making, and a deep sensitivity to place and time. Her work has been exhibited at institutions and galleries including the Triton Museum of Art, Crocker Art Museum, Oceanside Museum of Art, Sanchez Art Center, Whitney Modern, and MK Contemporary Art Gallery, and is held in private and corporate collections. In addition to her exhibition history, Lawson is actively engaged in arts advocacy, mentorship, and community-based programming, including workshops for youth and public art initiatives that connect contemporary art with broader audiences. As a juror, she brings a thoughtful and balanced perspective, valuing originality, craftsmanship, conceptual clarity, and authenticity, with particular attention to work that successfully integrates technical skill with emotional and visual resonance. Preston Metcalf Preston Metcalf is the Executive Director of the Triton Museum of Art. A long-time Curator of Art, he has curated more than 400 museum exhibitions of artists, both here and abroad. In addition to his 36 years with the Triton Museum, he was also a lecturer of Art History at Mission College in Santa Clara, and San Jose City College. He has lectured on art and art history both locally and abroad, has had more than 60 articles and essays published, and had his first novel, Casanova, Curator of Memories published in 2018. Through his innovative art and education programs at the Triton Museum, thousands of our region’s children, youth, and adults have received fundamental art education and experiences, including award winning programs such as sculpture classes for the blind, hospital bedside art instruction for chronically and terminally ill children, and art/literary crossover programs such as the Triton’s immensely popular monthly Triton Book Club, which explores how both art and literature continue to shape our views. He sees art not as a static form of entertainment, but rather as world expanding experiences, bringing new views, ideas, considerations, and voices into our lives.

JAN 17 - APR 19Cynthia Ona Innis is a visual artist based in Berkeley, California. She holds a BA from the University of California, Berkeley, and an MFA from Rutgers University. Her work is included in the permanent collections of the San Jose Museum of Art, Berkeley Art Museum and Pacific Film Archive, Crocker Art Museum, and the Fine Arts Museums of San Francisco, among others. Innis has been recognized with numerous awards, including a 2025 Pollock-Krasner Foundation Grant, a James D. Phelan Award, a MacDowell Fellowship and a Sustainable Arts Foundation Award. She is represented by Walter Maciel Gallery in Los Angeles. Seams Cynthia Ona Innis JAN 17 - APR 19 Now on View in the Permanent Collection Gallery Plan Your Visit < Back Marquee: Blue Slip , 2024, acrylic paint and ink on fabric and ribbon Overview My work begins with painting, then moves through disassembly and reconstruction—an ongoing exploration of connection and division. Where there is a seam, two or more things converge. These seams mark the joining of materials as well as the meeting of times, places and states of being. Moments such as sunrise and sunset, moonrise and nightfall fold into one another, revealing how change itself creates continuity. In a fractured world, the seam becomes both metaphor and method: a site where rupture and repair coexist. Seams explores the interplay of light, landscape and weather as a way to map perception and memory. The shifting glow of the sun, the stillness of the moon and the vastness of the night sky form a temporal and spatial framework for orientation and reflection. Informed by distinct weather patterns of coastal California, the marine layer, coastal fog and rays of light emerge as visual language that mirrors the mutable rhythms of the natural world. My approach to abstraction is rooted in a physical, process-driven practice. Pigments are poured directly onto fabric, or bleached to remove color, to create a dialogue between accumulating and editing, masking and unveiling, presence and absence. Materials such as cotton, canvas, nylon, and silver lamé hold equal weight to the pigments. Cut, reassembled and stitched, the surfaces echo tectonic movement and natural cycles of fragmentation and repair. Recent wall installations expand this practice through scale and suspension and the responsiveness of materials. Often beginning with recycled or discarded textiles, painted and sewn fabric panels are attached to wooden supports allowing them to hang freely and respond subtly to air and motion. In Fixing on a Horizon , multiple horizon lines reference sunrise and sunset as shifting points of equilibrium and orientation, while Blue Slip traverses gradients of blue, from pale to near-black that evoke twilight’s liminal expanse between clarity and obscurity. Across these works, stitching, knitting, layering, and suspension become meditations on connection and fracture—memory and material, permanence and impermanence. The resulting surfaces reflect the layered experiences that shape how we see and move through the natural world. About the Artist Cynthia Ona Innis is a visual artist based in Berkeley, California. She holds a BA from the University of California, Berkeley, and an MFA from Rutgers University. Her work is included in the permanent collections of the San Jose Museum of Art, Berkeley Art Museum and Pacific Film Archive, Crocker Art Museum, and the Fine Arts Museums of San Francisco, among others. Innis has been recognized with numerous awards, including a 2025 Pollock-Krasner Foundation Grant, a James D. Phelan Award, a MacDowell Fellowship and a Sustainable Arts Foundation Award. She is represented by Walter Maciel Gallery in Los Angeles. Previous Next

Warburton Gallery EXHIBITION A Celebration of Paintings Diane Brandenburg DATES: MAY 13 - JUN 18 YEAR: 2023 Previously on view in the Warburton Gallery < Back OVERVIEW ADDITIONAL INFORMATION ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. "Art is one of the languages from our souls" (author unknown) The above statement resonates between my heart and my brain as I pick up a brush, dip it into water and then my palette and then onto the paper or canvas before me. Inspirational music flows in the background, awakening my senses and then I begin... So much of my art comes from past experiences. When I was younger, I climbed most of the High Sierra Peaks in Yosemite. As a result, a lifelong interest and passion was developed, to study the formations and paint the summits of many of the mountain ranges on our planet. We have a home near the ocean. So again, I am able to study the changing moods of the ocean and the cliffs that provide the boundaries for the waves to reach their destinations and dissipate. Flowers are another subject I love to study. Their shapes and sizes, their breathtaking beauty and what about the colors and shadings of their petals, that nature has created? Simply amazing! Young children, especially my grand-babies, are so fresh and innocent, when you catch them in their curious poses. Abstract art fascinates me. I love to explore colors and shapes and some of my outcomes have been exciting. However, there have also been disasters, which I accept as a learning process. In summation, I have been fortunate to study abroad and here in the United States with acknowledged and prize-winning artists: Tom Nichols, Robbie Laird, Jane Hofstetter, Dales Laitinen, Stephen Quiller and Gerald Brommer, to name a few. They encouraged and supported me through all my amateurish struggles, to become what I wanted to be. Diane Miriam Brandenburg "Perfection is an enemy to creativity..." D.M.B. Diane Brandenburg, Sapphire Glacier, Date Unknown, Watercolor. Previous Next

Unknown EXHIBITION Shifting Messages Fan Lee Warren DATES: FEB 1 - MAY 10 YEAR: 2020 Previously on view in the Unknown < Back OVERVIEW ADDITIONAL INFORMATION ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. Previous Next

Permanent Gallery EXHIBITION Poetic Sentiment, Chan Spirit Chun-Hui Yu DATES: MAR 13 - JUN 6 YEAR: 2021 Previously on view in the Permanent Gallery < Back OVERVIEW ADDITIONAL INFORMATION ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. Previous Next

JAN 24 - APR 26Emanuela Iuliana Harris Sintamarian is an artist originally from Romania, but currently she lives and works in Oakland, CA. Her work is informed by the relationship between her identity to her sense of displacement, and the ways she has devised to reconcile those incongruous elements. She is interested in perception, memory and the mechanics of motion, their visual translation, and the dichotomies intrinsic to them. She explores the fluidity and tension generated by contradictions: organized chaos and uncontrolled order, machine-like generated imagery, and imperfections, organized chaos and logical absurd. Ema also tends to adulterate the boundaries between representative and abstract. She leverages marks, colors, shapes, and textures to construct an undefined world, rather than mirror reality. Ema's work has been shown in solo and group shows at Sunny Art Center, London, UK; Museum of Contemporary Arts, Constanta, Romania; Museum of Art, Arad, Romania; Triton Museum in Santa Clara, CA; Jack Fischer Gallery, San Francisco, CA; the Delaware Center for the Contemporary Arts, DE; Rosenfeld Gallery in Philadelphia; Niklas Belenius Gallery in Stockholm, Sweden; Institute of Contemporary Art, CA and Angel Orensanz Foundation, New York, NY. She was the recipient of the Leigh Weimer Award, (2021), the Artist Award SVCreates, San Jose, CA (2020), the Golden Foundation Fellowship, Golden Foundation, New Berlin, NY (2018), the Eureka Fellowship, Fleishhacker Foundation, San Francisco, CA (2013), ArtShift Award (2008) and the Silicon Valley Arts Council Award (2010). She is the finalist for the Sunny Art Award (2021), and has been nominated for SECA-SFMOMA-History Art Award, SF, CA Ema received her first MFA in printmaking from University of Delaware, and her second MFA in painting from San Jose State University. She is a Professor Associated at San Jose City College. The Theater of Premature Truths Emanuela Harris Sintamarian JAN 24 - APR 26 Now on View in the Mathias Gallery Plan Your Visit < Back Marquee: Hora and how to construct a future: fools and scissors should be handled with care - Commedia dll'arte, 2024-2025, acrylic and gouache on hand cut wood panel Overview While a name can be a cosmic prison, identity acts as its guardian. My practice emerges from this paradox. As a Romanian immigrant in the United States, my work is shaped by a continuous negotiation between belonging and estrangement—an evolving dialogue among memory, displacement, and the strategies I have developed to reconcile these incongruities. Each artwork begins as a search for home: an unstable geography constructed through dualism, migration, and the fragments carried forward. I inhabit the liminal space between worlds—one remembered, one lived, and one imagined. From this tension, I create hybrid cartographies that resist literal interpretation. Architecture, ornament, and anatomy converge to form layered visual vocabularies—maps not of territory, but of perception. These works chart absence, transformation, and the act of becoming. By juxtaposing fragmented cultural iconography with abstraction, I construct polyphonic images—fractured allegories of my physical, emotional, and intellectual journey. Loss, displacement, and containment become catalysts for ritualized acts of self-expropriation, transforming absence into generative force. My process is interdisciplinary, spanning painting, drawing, printmaking, three-dimensional works, and muralism. I allow each medium to inform the others, privileging process over predetermined outcomes. I work within a space of “not knowing,” letting questions, rather than answers, guide each decision. I tend to work in series, believing that ideas unfold and evolve through repetition, variation, and recontextualization. Within each series, I alternate large-scale works with more intimate ones, considering how the viewer’s body engages with each—immersed in expansive works, contemplative with smaller pieces. Together, they form a rhythm between immersion and introspection. My approach balances cultivated spontaneity with rigorous research: sketching Romanian textiles, architectural motifs, and anatomical structures, while also responding intuitively to the evolving surface. Through layering, repetition, and erasure, I condense visual information into dense, stratified compositions where control and chance converge. This visual density mirrors the navigation of multiple cultural identities, inviting viewers to engage with ambiguity and multiplicity. Although this series emphasizes smaller, intimate formats, it lays the groundwork for future large-scale, memory-driven pieces activated by the viewer’s movement through space. My ongoing inquiry weaves together two central threads: Memory vs. Perception and Fragmentation. In the gaps between remembrance and invention, I locate the architecture of the self—continuously reconstructed, suspended between belonging and becoming. While informed by personal experience and broader social and cultural contexts, my work is not didactic. I do not provide answers or prescribe interpretations; rather, I invite viewers to inhabit spaces of ambiguity, reflection, and multiplicity. My paintings, drawings, and installations operate as open-ended inquiries—encounters with absence, memory, and fragmentation that encourage contemplation rather than instruction. In this way, my practice embraces complexity and uncertainty, honoring the layered, evolving nature of identity and the ongoing dialogue between self, place, and perception. About the Artist Emanuela Iuliana Harris Sintamarian is an artist originally from Romania, but currently she lives and works in Oakland, CA. Her work is informed by the relationship between her identity to her sense of displacement, and the ways she has devised to reconcile those incongruous elements. She is interested in perception, memory and the mechanics of motion, their visual translation, and the dichotomies intrinsic to them. She explores the fluidity and tension generated by contradictions: organized chaos and uncontrolled order, machine-like generated imagery, and imperfections, organized chaos and logical absurd. Ema also tends to adulterate the boundaries between representative and abstract. She leverages marks, colors, shapes, and textures to construct an undefined world, rather than mirror reality. Ema's work has been shown in solo and group shows at Sunny Art Center, London, UK; Museum of Contemporary Arts, Constanta, Romania; Museum of Art, Arad, Romania; Triton Museum in Santa Clara, CA; Jack Fischer Gallery, San Francisco, CA; the Delaware Center for the Contemporary Arts, DE; Rosenfeld Gallery in Philadelphia; Niklas Belenius Gallery in Stockholm, Sweden; Institute of Contemporary Art, CA and Angel Orensanz Foundation, New York, NY. She was the recipient of the Leigh Weimer Award, (2021), the Artist Award SVCreates, San Jose, CA (2020), the Golden Foundation Fellowship, Golden Foundation, New Berlin, NY (2018), the Eureka Fellowship, Fleishhacker Foundation, San Francisco, CA (2013), ArtShift Award (2008) and the Silicon Valley Arts Council Award (2010). She is the finalist for the Sunny Art Award (2021), and has been nominated for SECA-SFMOMA-History Art Award, SF, CA Ema received her first MFA in printmaking from University of Delaware, and her second MFA in painting from San Jose State University. She is a Professor Associated at San Jose City College. Previous Next

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Unknown EXHIBITION Recent Acquisitions to the Permanent Collection Various Artists DATES: JAN 22 - MAY 1 YEAR: 2022 Previously on view in the Unknown < Back OVERVIEW ADDITIONAL INFORMATION Previous Next

< Back EVENTS Tequila Tasting Date Time Cost < Back May 10th, 2024 / 6pm - 8pm Fundraiser Event This is placeholder text. To change this content, double-click on the element and click Change Content. Want to view and manage all your collections? Click on the Content Manager button in the Add panel on the left. Here, you can make changes to your content, add new fields, create dynamic pages and more. Your collection is already set up for you with fields and content. Add your own content or import it from a CSV file. Add fields for any type of content you want to display, such as rich text, images, and videos. Be sure to click Sync after making changes in a collection, so visitors can see your newest content on your live site. Previous Next

To contact the Triton Museum of Art for general inquiries, please contact staff@tritonmuseum.com. All other contact information is found within our website. Get in Touch 1505 Warburton Avenue, Santa Clara, CA 95050 Contact Us Submit Thanks for submitting! General Inquiries staff@tritonmuseum.org Curatorial vcallanta@tritonmuseum.org Education education@tritonmuseum.org Facility Rentals rentals@tritonmuseum.org Donations & Membership admin@tritonmuseum.org

Unknown EXHIBITION City Views Various Artists DATES: MAR 13 - MAY 2 YEAR: 2021 Previously on view in the Unknown < Back OVERVIEW ADDITIONAL INFORMATION ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. Previous Next