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PERMITS AND LICENSES Events may need one or more permits and/or licenses. If you're unsure what permits/licenses you need, or if your event needs them, refer to the Permits and Licenses document below. If you have further questions or need clarification, our Rentals and Events Administrator will go over them with you. A comprehensive PDF of all rental permits and licenses can be viewed and downloaded for your convenience. PERMITS AND LICENSES

CORPORATE EVENTS The Basics: 20% Off Rentals with Triton Museum Corporate Membership See membership information here for more details. Event Hours of Availability: 4:30PM to 11:00PM (Triton) 8:00AM to 11:00PM (Jamison-Brown House) Rental Hours of Availability: (Event hours + set up & breakdown)* 2:30PM (upon approval) - 12AM Jamison-Brown House events: Flexible depending on staff availability; inquire with Facility Rentals Coordinator *(Delegation of setup + breakdown is the responsibility of the rental party) Decorations: The Triton has specific guidelines for decorations to preserve the integrity of our artists' works. Please see full facility guidelines below for more information. Pricing: Pricing varies depending on the venue, duration, and any add-ons you choose. View full pricing options below. Non-Profit Organizations: Rental discounts are available for 501(c)3 non-profit organizations. City of Santa Clara Business Licenses: ( Required for all 3rd party vendors hired for any event) All 3rd party vendors hired to work the event must provide us with an up to date City of Santa Clara Business License number. For more information, visit: https://www.santaclaraca.gov/business-development/business-services/business-tax-license PRICING INCLUSIONS GUIDELINES PERMIT INFO FLOOR PLANS CONTACT US We want to know more about your event! Fill out our inquiry form and our Facility Rentals Administrator will get in touch with you. Stay in touch with our Socials to stay up-to-date on what we've got going on. INQUIRY FORM

Corporate Membership at the Triton Museum JOIN TODAY $5,000 • Corporate logo displayed in museum • Recognition on museum website • 20% Corporate facility rental discount

The Triton Museum of Art collects and exhibits contemporary and historical works with an emphasis on artists of the Greater Bay Area. The permanent collection includes 19th and 20th century American art of the Pacific Rim, Europe and beyond. The Triton Museum of Art's Permanent Collection The Triton Museum of Art collects and exhibits contemporary and historical works with an emphasis on artists of the Greater Bay Area. The permanent collection includes 19th and 20th century American art of the Pacific Rim, Europe and beyond. The Triton Museum is home to acclaimed permanent collections including the Austen D. Warburton collection of American Indian art and artifacts and the largest public holdings of paintings by Theodore Wores. Browse our Works on Paper The Triton Museum of Art's Native American Collection Browse our Native American Collection

Be a part of this exhibition in your own way by posing on Eve Page Mathias' Big Red Chair, just like the women shown within this exhibition. Be your own piece of art and lounge on the chair, snap a quick photo, and upload your image using the link provided above. "The Big Red Chair Project" Upload Here The pandemic has been a very difficult time for many of us. With having to adjust our lives to stay safer and healthier, that often meant spending time apart from the people we love. For artist and retired educator Eve Page Mathias, the pandemic gave her time to reflect on herself and to look forward to seeing those absent from her life. During this time, her "Big Red Chair Project" was born and it allowed her to reconnect with those friends and colleagues she missed dearly. This exhibition is a series of large paintings - portraits of women meaningful to the artist. Be a part of this exhibition in your own way by posing on Eve Page Mathias' Big Red Chair, just like the women shown within this exhibition. Be your own piece of art and lounge on the chair, snap a quick photo, and upload your image using the link provided above. Or send photos directly to admin@tritonmuseum.org

< Back Gabriel Coke MAY 3 - AUG 8 Unlimited Imagination Gabriel Coke is native to Northern California and the Pacific Northwest. Gabriel is a father, a practicing artist, a teacher and advocate for his students. He enjoys teaching and giving lecture demonstrations. Gabriel pursued private studies in ateliers since the mid 1990’s. He began in Seattle, Washington and continued to Santa Fe, New Mexico, France, Norway and New York City. From those many years of study he acquired the knowledge to become a well practiced artist and teacher. Gabriel taught constantly in his own atelier from 2012 to 2020. For a decade Gabriel’s life has been devoted to working inside a studio that developed its own unique community. Knowledge, friendship and family have been combined with a world class field of professional teaching artists. As an Atelier Program Director Gabriel benefits from being a father to two incredibly gifted teenage children. Gabriel’s teaching philosophy begins with creating an ideal studio environment. He wants students to be in the best possible position to get the most of their potential. Gabriel is highly motivated to prepare for each class with a passionate love for detail and forethought. The atmosphere in the studio is part of a successful formula. Students are always given expert instruction by lecture and demonstration and they are given a healthy amount of personal space and freedom. Students focus and work for long spans of time. The results are truly remarkable as the achievements of young students are often far greater than is expected. Hundreds of students have worked for several years in small groups and many are currently attending art schools and colleges in the United States and abroad. Some have even finished college and have families, and still regard their time in Gabriel’s atelier as very fortunate. Artist Statement: Gemini Jack Gabriel Coke Born 1969 Durango, Colorado The art of drawing and painting is a vital experience for human beings. When done well it leaves a trace of consciousness embedded in the artwork. Making art may be about finding the space to create. We have an artistic space in the corners of our mind, body and spirit. The freedom to explore and roam our imagination is a sacred and timeless activity. There is also a physical outward space we inhabit as artists. If not in nature, then in the special enclosure of an art studio. It may be a room in a house or a garage, or if we are fortunate, inside a lovingly arranged and functional art studio with great lighting, packed full of art supplies and inspiring objects. Where thoughtful care has been taken to create the best possible conditions, we feel more settled for exploring that space within ourselves. When we escape from the worry and haste of everyday life and responsibilities, we sense our lungs filling and releasing and then suddenly, like walking barefoot on a beach, we feel like ourselves again. That is how good it feels to be in the flow state at an easel drawing or painting for that peaceful time. Being creative is the best time in anyone's day, or week or life. It is the connection to thoughts and ideas that need our full attention. That is when creativity and imagination are in full bloom. That is when a pear or a rubber duck looks incredibly full of nuance and beauty. Things look more interesting. Music sounds better. Texture and color and light seem increasingly vivid and clear. Motion takes a break to be still for us to observe and capture. Noise and clamor subside and an apple or a wedge of cheese looks more beautiful. Studying nature and reality as an artist is the work we take on to enjoy the benefit of seeing the imaginary ideas floating inside our own minds. In the gallery here is a large painting I finished in 2011. I was just beginning my teaching years at what is now Art Students' Atelier. The painting has a foreground that is a still life of objects found in nature. I arranged it in my studio to paint from observation. The landscape in the distance was made completely from imagination. It was formed from memories of my younger days hiking and golfing in northern California. I made that painting as a leap of faith into my own imagination. The adventure for me was to rediscover drawing and painting from make-believe. It restored that joy I had as a child when everything I drew was made up. Years of practice with master teachers in ateliers had helped me build some skill but my paintings were not about anything. A painting can be beautiful and be a pleasure to create and still have no meaning or message. Leap of Faith was practice for getting back into a creative space inside my own imagination. I have taught for almost fifteen years now and I always tell younger students to keep their imagination alive. Use it. Figure out how it works. Practice your skills to make something look realistic, but incorporate something from an idea or a thought. Even if it is simple, it comes from you and your imagination is something to rely on for the rest of your life. Imagination can help you look ahead and create your future. Previous Next

Triton Museum of Art Capacity Warburton Gallery: 402 Permanent Collection Gallery: 276 Rotunda Gallery: 250 Reception / 150 Seated Cowell Gallery: 125 Reception / 80 Seated Price About the Venue $475.00 per hour with a minimum of 5 hours This contemporary museum, with its four art galleries, is the perfect venue for larger, elegent receptions, galas, and banquets. Venue Gallery LOAD MORE Other Opportunities Triton Museum of Art Triton Museum of Art

< Back Jonathan Crow JAN 10 - MAY 3 Cul-de-sac Born in Ohio in 1971, Jonathan Crow received his MFA in Filmmaking from the California Institute of the Arts in 2003. Before turning to painting, he spent many years working in the film industry—a background that continues to shape the cinematic atmosphere of his work. In 2013, following a career shift, Crow returned to his early love of drawing. His series Veeptopus—portraits of U.S. Vice Presidents with octopuses on their heads—became an online sensation and was featured in BuzzFeed, The Huffington Post, and The New York Times. Since 2018, Crow has focused primarily on oil painting, developing a body of work that explores the uncanny beauty and quiet tensions of Southern California suburbia. His paintings—at once humorous, unsettling, and deeply observed—draw inspiration from Edward Hopper, Richard Diebenkorn, and the films of David Lynch. Crow’s work has been exhibited throughout the Bay Area and beyond, including Arc Gallery (San Francisco), the New Museum Los Gatos, Marin MOCA, TAG Gallery (Los Angeles), and the de Young Museum. Crow is currently based in Santa Clara, California. Artist Statement: When I was a child in the 1970s, my parents drove me from our home in rural Ohio to visit my grandparents in suburban California. I was struck by the mountains, the palm trees, the dusty colors of the hills—and especially the light. Those brief visits left a lasting impression, like an image burned onto film. Nearly fifty years later, I paint those same Californian suburbs. Working in oil, I use their tidy streets and manicured yards as a stage to explore form, color, and the tension between the familiar and the strange. My background in film shapes how I compose each scene—like a still from a forgotten movie—charged with a quiet sense of story. Through these ordinary landscapes, I create images that are at once amusing and unsettling, inviting reflection on race, gender, and what it means to live in this complicated country called America. Previous Next

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Make the experience of art a part of your school year! Schedule a guided tour and hands-on art activity for your class, club, or group at the Triton Museum of Art and let your students discover cultural enrichment within their community. Students will tour the Museum's exhibition (s) and cap off their visit by creating their own artwork inspired by what they've seen. K-12 Museum Visits TAKE PART in ART! Participate with Eyes and Hands at the Triton Museum of Art Make the experience of art a part of your school year! Schedule a self-guided visit for your class, club, or group at the Triton Museum of Art and let your students discover cultural enrichment within their community. * Free admission during our hours of operation. * Groups must be chaperoned by accompanying adults with a preferred minimum ratio of 1 adult for every 8 children. * Plenty of free parking for cars and buses! * Students and chaperones may bring their lunches or snacks to enjoy in the sculpture garden behind the museum after their visit. Visit us today! Questions? Send an email to education@tritonmuseum.org Contact Us Now

< Back Dean Larson AUG 16 - JAN 4 Urban Visions: Life in Motion Artist Dean Larson was raised in Palmer, Alaska where he first learned painting under the mentorship of Alaskan Artist Fred Machetanz. After graduating from Willamette University in Salem, Oregon Dean moved to Baltimore, Maryland for graduate studies at the Schuler's School of Fine Art and Towson University. In 1997 the artist moved to San Francisco, CA. He has long been associated with the resurgence of the American Contemporary Realist movement. Dean has written books, been featured in numerous art periodicals, has mounted over twenty-five solo exhibitions, and has been featured in over fifty group shows in museums and galleries across the U. S. He is a well-traveled artist who thrives on diversity and is constantly searching for new subjects. He is adept with cityscapes, landscapes, portraits, and interiors. Through the use of compelling compositions and harmonious colors he draws the viewer into his canvases. Dean's commissioned portraits and studio paintings can be found in museums and other public collections in the United States and Europe. Larson also has taught painting (mainly cityscape and landscape) at the Academy of Art University in San Francisco since 2006. He maintains a studio near Mission Dolores, the original Spanish Mission in San Francisco. Larson has painted the portraits of Senator Ted Stevens which hangs in the United States Capitol in Washington D.C. and Senator Mark Hatfield which hangs at Willamette University. Larson's work is also included in the collections of the United States Institute of Peace (USIP), the Alaska State Capitol, Triton Museum of Art and Smithsonian's National Portrait Gallery. For more information visit www.deanmlarson.com , or www.instagram.com/deanlarson07 Artist Statement: Dean Larson Urban Visions: Life in Motion Over the past several years two central themes have consistently attracted and inspired my artist’s eye. The first motif is life in the city. Having relocated from Alaska and Maryland to California in 1997, the Bay area and in particular, San Francisco, became an instant source of diverse and compelling subject matter. From Russian Hill to North Beach, from Market Street to Golden Gate Park, the city that changes constantly presents new perceptions and subjects. The focus on what it means to be a contemporary realist is constantly at the forefront when planning new work. It’s never enough to simply copy what’s in front of you. There is a desire to go deeper and search for what is most significant and essential. Intentional soft blurs contrast with hard edges to have objects and figures come forth and recede and fuse to backgrounds within pictorial spaces. With my second subject, figures, I search for accidental moments where people reveal the variety of the human experience and also show glimpses of what it means to be living and working in modern society. Sometimes it is a lone figure and other times there is a group of figures where the relationships between the figures are closely observed, highlighting the gestures of each figure and the group as a whole. The search for mass shapes and abstract patterns that, by working through my painting process, eventually becomes more realistic, unique designs challenge and inspire me to keep painting each and every day. Previous Next

Jamison Brown House Capacity 40 Seated / 50 + Indoor Reception Capacity Price About the Venue $200.00 per hour with a minimum of 4 hours (cleaning deposit $300.00, max capacity 50) This historic, 1866 colonial house is a charming venue for retreats an dmore intimate celebrations. Venue Gallery Other Opportunities Jamison Brown House Jamison Brown House