FREQUENTLY ASKED QUESTIONS 01. Is the museum available for daytime events? The museum is only available for events starting 4:30PM and later. Event setup times may start up to 2 hours earlier upon approval. 02. Can we rent furniture from the Triton? Furniture rental costs are included in rental pricing. See pricing here and inclusions here . 03. How are rental costs calculated? Rental times include setup hours, event duration, and breakdown. 04. Can you reserve individual galleries when booking the museum? When renting the Triton, you are renting the entire venue. A minimum of two of the four galleries are usually available for rental setup, while the remaining are usually only open for viewing. Gallery availability is dependent on the Museum's exhibition Calendar. 05. What's included in our rental? The Triton provides multiple inclusions for your event, including kitchen access and event furniture. Please see the inclusions section here for a full list. 06. What is the max capacity of the museum? Museum max capacity: 300 Rotunda: 120 seated / 200 not seated Cowell: 80 seated / 125 not seated Permanent Collection: 90 seated / 200 not seated Mathias: 120 seated / 250 not seated 07. What are the restrictions on decorations and entertainment? We do not alter museum lighting as it is specifically curated to highlight the ongoing exhibitions. No private, outside exhibitions, or art displays are permitted. We do not provide event supplies outside of listed furniture. No removal of exhibitions, decor or banners on windows, walls, and pillars. No glitter, tape, or helium balloons of any kind. No puncturing of the walls All freestanding decor must adhere to exhibit space guidelines. All event setup must respect the 5 ft rule from any artwork. See full rental guidelines here. 08. Are the venues pet-friendly? We are only permitting official service animals and they must be kept on a minimum 6ft leash. Pets are not permitted in any of our venues.

Triton Tile Sponsorships The Triton Tile Fundraiser offers an opportunity for you to become a permanent part of the museum. Tiles can be personalized with your name, a message or memory of a loved one and will be installed in the museum's main entrance plaza. All proceeds will go toward our world-class exhibition program. Purchase Tile Pricing Tile Prices $250 for 6x6 tile $350 for 8x8 tile Replicas $150 You can support the Triton Museum of Art by sponsoring a personalized tile. These tiles can be customized with your name, a message to loved ones, or as a permanent memory, and will be installed in the museum’s main entrance plaza. Your contribution helps pave the way for others to experience the joys and values of art in our community. For more details and to get your tile, visit (https://www.thatsmybrick.com/tritonmuseum ). Contact For questions regarding your tile(s), contact us at: admin@tritonmuseum.org

Discover exciting Bay Area art events at our museum in Santa Clara. Immerse yourself in diverse art events bay area and enrich your cultural experience. ART + EVENTS EXHIBITION EVENTS COLLECTION SPECIAL PROJECTS

< Back EVENTS Artist Talk Date Time Cost < Back May 11th, 2024 / 2pm - 4pm Artist Talk This is placeholder text. To change this content, double-click on the element and click Change Content. Want to view and manage all your collections? Click on the Content Manager button in the Add panel on the left. Here, you can make changes to your content, add new fields, create dynamic pages and more. Your collection is already set up for you with fields and content. Add your own content or import it from a CSV file. Add fields for any type of content you want to display, such as rich text, images, and videos. Be sure to click Sync after making changes in a collection, so visitors can see your newest content on your live site. Previous Next

Discover the 2026 SALON AT THE TRITON: 2D art competition & exhibition in Santa Clara, California. Join top Santa Clara California art competitions today! 2026 SALON AT THE TRITON: 2D ART COMPETITION & EXHIBITION A Call to California Artists! The Triton Museum of Art is thrilled to announce the commencement of the 2026 Salon at the Triton: 2D Art Competition & Exhibition. The purpose of this competition and exhibition is to showcase the diverse talents of artists living or working in California, and to assist the Triton Museum of Art's mission in supporting and building community through diverse exhibition and art programs. Aspiring and established artists alike are encouraged to participate in this highly popular exhibition, which allows for submissions in various 2D mediums and is open to any subject. The deadline to submit artwork is March 13, 2026 at 10:00PM PST. The competition is closed. Thank you for your submissions this year! The full list of artists selected for the exhibition can be view at the link below. Selected Artists & Winners Important Dates/Deadlines January 30 - March 13 March 13 (at 10PM) April 1 - April 3 April 4 - April 18 (the Museum will be closed April 5 in observance of the Easter Holiday) May 2 May 16 (12PM - 2PM) August 16 August 20 - September 4 Submission/Entry Period Entry Deadline Acceptance/Non-Acceptance Emails Sent Art Drop-Off Period Exhibition Opens Artists Reception (Winners will be announced) Exhibition Closes Art Pick-Up Period Juror Information Mei-Ying Dell'Aquila Mei-Ying Dell’Aquila is a Taiwanese American, award-winning artist, and art educator based in California. Working primarily in oil, her paintings have been featured in solo and juried exhibitions at museums across the United States. She holds a Master of Arts degree from San Francisco State University and is the former owner and instructor of My Art School. She currently teaches art at the Triton Museum of Art in Santa Clara, California. As an educator, Mei-Ying encourages students to become the best versions of themselves by promoting self-empowerment, the belief that individuals can take charge and change the world for the better. This philosophy is evident in her own paintings, which depict strong, confident figures infused with energy and dynamism. Lorraine Lawson Lorraine Lawson is a California based fine artist whose work explores abstraction, memory, and the layered textures of lived experience. Working primarily in painting and mixed media, her practice draws on material history, intuitive mark-making, and a deep sensitivity to place and time. Her work has been exhibited at institutions and galleries including the Triton Museum of Art, Crocker Art Museum, Oceanside Museum of Art, Sanchez Art Center, Whitney Modern, and MK Contemporary Art Gallery, and is held in private and corporate collections. In addition to her exhibition history, Lawson is actively engaged in arts advocacy, mentorship, and community-based programming, including workshops for youth and public art initiatives that connect contemporary art with broader audiences. As a juror, she brings a thoughtful and balanced perspective, valuing originality, craftsmanship, conceptual clarity, and authenticity, with particular attention to work that successfully integrates technical skill with emotional and visual resonance. Preston Metcalf Preston Metcalf is the Executive Director of the Triton Museum of Art. A long-time Curator of Art, he has curated more than 400 museum exhibitions of artists, both here and abroad. In addition to his 36 years with the Triton Museum, he was also a lecturer of Art History at Mission College in Santa Clara, and San Jose City College. He has lectured on art and art history both locally and abroad, has had more than 60 articles and essays published, and had his first novel, Casanova, Curator of Memories published in 2018. Through his innovative art and education programs at the Triton Museum, thousands of our region’s children, youth, and adults have received fundamental art education and experiences, including award winning programs such as sculpture classes for the blind, hospital bedside art instruction for chronically and terminally ill children, and art/literary crossover programs such as the Triton’s immensely popular monthly Triton Book Club, which explores how both art and literature continue to shape our views. He sees art not as a static form of entertainment, but rather as world expanding experiences, bringing new views, ideas, considerations, and voices into our lives.

< Back EVENTS Artists Reception Date Time Cost < Back May 25th, 2024 / 2pm - 4pm Reception This is placeholder text. To change this content, double-click on the element and click Change Content. Want to view and manage all your collections? Click on the Content Manager button in the Add panel on the left. Here, you can make changes to your content, add new fields, create dynamic pages and more. Your collection is already set up for you with fields and content. Add your own content or import it from a CSV file. Add fields for any type of content you want to display, such as rich text, images, and videos. Be sure to click Sync after making changes in a collection, so visitors can see your newest content on your live site. Previous Next

360 VIRTUAL GALLERIES If you're interested in booking the Triton Museum of Art for a future event, our 360 virtual galleries can be a useful tool in helping you envision your event in our space. Fill out our inquiry form and our Rentals and Events Administrator will contact you to discuss your event plans further. To view our 360 virtual galleries, simply click and drag your cursor over the image to move. You can zoom in and out by scrolling up and down. ROTUNDA GALLERY MATHIAS GALLERY PERMANENT GALLERY COWELL GALLERY

The Triton Museum of Art collects and exhibits contemporary and historical works with an emphasis on artists of the Greater Bay Area. The permanent collection includes 19th and 20th century American art of the Pacific Rim, Europe and beyond. The Triton Museum of Art's Permanent Collection The Triton Museum of Art collects and exhibits contemporary and historical works with an emphasis on artists of the Greater Bay Area. The permanent collection includes 19th and 20th century American art of the Pacific Rim, Europe and beyond. The Triton Museum is home to acclaimed permanent collections including the Austen D. Warburton collection of American Indian art and artifacts and the largest public holdings of paintings by Theodore Wores. Browse our Works on Paper The Triton Museum of Art's Native American Collection Browse our Native American Collection

< Back Gabriel Coke MAY 3 - AUG 8 Unlimited Imagination Gabriel Coke is native to Northern California and the Pacific Northwest. Gabriel is a father, a practicing artist, a teacher and advocate for his students. He enjoys teaching and giving lecture demonstrations. Gabriel pursued private studies in ateliers since the mid 1990’s. He began in Seattle, Washington and continued to Santa Fe, New Mexico, France, Norway and New York City. From those many years of study he acquired the knowledge to become a well practiced artist and teacher. Gabriel taught constantly in his own atelier from 2012 to 2020. For a decade Gabriel’s life has been devoted to working inside a studio that developed its own unique community. Knowledge, friendship and family have been combined with a world class field of professional teaching artists. As an Atelier Program Director Gabriel benefits from being a father to two incredibly gifted teenage children. Gabriel’s teaching philosophy begins with creating an ideal studio environment. He wants students to be in the best possible position to get the most of their potential. Gabriel is highly motivated to prepare for each class with a passionate love for detail and forethought. The atmosphere in the studio is part of a successful formula. Students are always given expert instruction by lecture and demonstration and they are given a healthy amount of personal space and freedom. Students focus and work for long spans of time. The results are truly remarkable as the achievements of young students are often far greater than is expected. Hundreds of students have worked for several years in small groups and many are currently attending art schools and colleges in the United States and abroad. Some have even finished college and have families, and still regard their time in Gabriel’s atelier as very fortunate. About the Artist: Gemini Jack Gabriel Coke Born 1969 Durango, Colorado The art of drawing and painting is a vital experience for human beings. When done well it leaves a trace of consciousness embedded in the artwork. Making art may be about finding the space to create. We have an artistic space in the corners of our mind, body and spirit. The freedom to explore and roam our imagination is a sacred and timeless activity. There is also a physical outward space we inhabit as artists. If not in nature, then in the special enclosure of an art studio. It may be a room in a house or a garage, or if we are fortunate, inside a lovingly arranged and functional art studio with great lighting, packed full of art supplies and inspiring objects. Where thoughtful care has been taken to create the best possible conditions, we feel more settled for exploring that space within ourselves. When we escape from the worry and haste of everyday life and responsibilities, we sense our lungs filling and releasing and then suddenly, like walking barefoot on a beach, we feel like ourselves again. That is how good it feels to be in the flow state at an easel drawing or painting for that peaceful time. Being creative is the best time in anyone's day, or week or life. It is the connection to thoughts and ideas that need our full attention. That is when creativity and imagination are in full bloom. That is when a pear or a rubber duck looks incredibly full of nuance and beauty. Things look more interesting. Music sounds better. Texture and color and light seem increasingly vivid and clear. Motion takes a break to be still for us to observe and capture. Noise and clamor subside and an apple or a wedge of cheese looks more beautiful. Studying nature and reality as an artist is the work we take on to enjoy the benefit of seeing the imaginary ideas floating inside our own minds. In the gallery here is a large painting I finished in 2011. I was just beginning my teaching years at what is now Art Students' Atelier. The painting has a foreground that is a still life of objects found in nature. I arranged it in my studio to paint from observation. The landscape in the distance was made completely from imagination. It was formed from memories of my younger days hiking and golfing in northern California. I made that painting as a leap of faith into my own imagination. The adventure for me was to rediscover drawing and painting from make-believe. It restored that joy I had as a child when everything I drew was made up. Years of practice with master teachers in ateliers had helped me build some skill but my paintings were not about anything. A painting can be beautiful and be a pleasure to create and still have no meaning or message. Leap of Faith was practice for getting back into a creative space inside my own imagination. I have taught for almost fifteen years now and I always tell younger students to keep their imagination alive. Use it. Figure out how it works. Practice your skills to make something look realistic, but incorporate something from an idea or a thought. Even if it is simple, it comes from you and your imagination is something to rely on for the rest of your life. Imagination can help you look ahead and create your future. Previous Next

< Back Harry Clewans AUG 29 - JAN 3 Eye/Hand Harry Clewans is largely self-taught and has worked in his studio in Oakland, California, since 1983. Clewans creates unique large-scale woodblock prints by assembling hundreds of smaller printed images. Exhibited extensively in California, nationally and abroad, his work been awarded the James Phalen Award for printmaking and a fellowship at the Kala Institute of Art and has been collected by The Berkeley Art Museum and Pacific Film Archive, the Achenbach Foundation for Graphic Art, the Mills College Art Collection and the Judah L. Magnes Museum. About the Artist: I’ve always been drawn to things that are in a state of disrepair or decay, things one might find in a gutter or washed up on a beach––a broken light bulb, a battered plastic toy, a dried piece of kelp. For me, such objects reveal the effects of time and use, and offer insight into how they work and how they were formed or put together. I’ve been making woodcuts of found objects like these for thirty years and have built up an extensive library of images from which I make prints that I cut up and arrange to create larger and more complex compositions. Like mosaics or jigsaw puzzles these larger works are typically comprised of hundreds of individuals pieces that I fit together to form a picture, which I then adhere to a wood substrate. For every woodcut I’ve made I have a print pinned to a wall in my studio. I think of this wall as a kind of periodic table, and each woodcut as an element that I can use to create a picture. I may use a woodcut of a seedpod to describe the skin of an octopus or the surface of a tree trunk, a woodcut of a dried-up pear to articulate the ground around an old well or the wings of a butterfly. Just as everything in our physical environment is composed of the same matter, my large pieces are composed of the same collection of woodcut images. This approach, I hope, communicates the idea that all things by virtue of their makeup are connected, that all things participate in a cycle of composition and decomposition in which the old, the broken down and the disposed of becomes material for the new. Previous Next

JBH + Gardens Capacity Price About the Venue Venue Gallery Other Opportunities JBH + Gardens JBH + Gardens

< Back Dean Larson AUG 16 - JAN 4 Urban Visions: Life in Motion Artist Dean Larson was raised in Palmer, Alaska where he first learned painting under the mentorship of Alaskan Artist Fred Machetanz. After graduating from Willamette University in Salem, Oregon Dean moved to Baltimore, Maryland for graduate studies at the Schuler's School of Fine Art and Towson University. In 1997 the artist moved to San Francisco, CA. He has long been associated with the resurgence of the American Contemporary Realist movement. Dean has written books, been featured in numerous art periodicals, has mounted over twenty-five solo exhibitions, and has been featured in over fifty group shows in museums and galleries across the U. S. He is a well-traveled artist who thrives on diversity and is constantly searching for new subjects. He is adept with cityscapes, landscapes, portraits, and interiors. Through the use of compelling compositions and harmonious colors he draws the viewer into his canvases. Dean's commissioned portraits and studio paintings can be found in museums and other public collections in the United States and Europe. Larson also has taught painting (mainly cityscape and landscape) at the Academy of Art University in San Francisco since 2006. He maintains a studio near Mission Dolores, the original Spanish Mission in San Francisco. Larson has painted the portraits of Senator Ted Stevens which hangs in the United States Capitol in Washington D.C. and Senator Mark Hatfield which hangs at Willamette University. Larson's work is also included in the collections of the United States Institute of Peace (USIP), the Alaska State Capitol, Triton Museum of Art and Smithsonian's National Portrait Gallery. For more information visit www.deanmlarson.com , or www.instagram.com/deanlarson07 About the Artist: Dean Larson Urban Visions: Life in Motion Over the past several years two central themes have consistently attracted and inspired my artist’s eye. The first motif is life in the city. Having relocated from Alaska and Maryland to California in 1997, the Bay area and in particular, San Francisco, became an instant source of diverse and compelling subject matter. From Russian Hill to North Beach, from Market Street to Golden Gate Park, the city that changes constantly presents new perceptions and subjects. The focus on what it means to be a contemporary realist is constantly at the forefront when planning new work. It’s never enough to simply copy what’s in front of you. There is a desire to go deeper and search for what is most significant and essential. Intentional soft blurs contrast with hard edges to have objects and figures come forth and recede and fuse to backgrounds within pictorial spaces. With my second subject, figures, I search for accidental moments where people reveal the variety of the human experience and also show glimpses of what it means to be living and working in modern society. Sometimes it is a lone figure and other times there is a group of figures where the relationships between the figures are closely observed, highlighting the gestures of each figure and the group as a whole. The search for mass shapes and abstract patterns that, by working through my painting process, eventually becomes more realistic, unique designs challenge and inspire me to keep painting each and every day. Previous Next