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Jamison Brown House Capacity 40 Seated / 50 + Indoor Reception Capacity Price About the Venue $200.00 per hour with a minimum of 4 hours (cleaning deposit $300.00, max capacity 50) This historic, 1866 colonial house is a charming venue for retreats an dmore intimate celebrations. Venue Gallery Out of gallery Other Opportunities Jamison Brown House Jamison Brown House

< Back Laurus Myth JAN 25 - APR 27 Portals & Passages: An evolution of paintings, sculptures, and social magic Local artist Laurus Myth debuts Portals and Passages, her first solo exhibition at the Triton Museum of Art, 1505 Warburton Ave. (January 25 - April 27, 2025.) Portals and Passages is a reflection point, weaving together Laurus’ portfolio of work across disciplines. From vivid colors, patterns, and layered paintings evolving into sculptural forms, Myth leans into art to tell stories of connection and relationship. Myth’s visual language is influenced by nature, technology, and intuition as they use symbols to decode their experience. Portals and Passages transforms Triton’s Warburton Gallery with works that draw viewers through moments of connection. This expansive body of work bridges dualities: technology-nature, movement-stillness, internal-external, and day-night. Artist Statement: Laurus Myth is an Asian-American interdisciplinary artist raised in Silicon Valley. A born innovator, Myth follows a creative and intuitive path as she fabricates and curates intentional spaces. Drawn to sacred architecture and mental landscapes, her work is colorful, symbolic, and deeply immersive. Myth’s experiential practices birthed several installations she calls “Social Magic.” Visually drawing– these playful and often temporary installations invite us to connect with our narratives and become part of a larger story. The artist turns the museum's gallery into a spatial story with codes and keys leading us to places unseen. Portals and Passages distill the last decade of Social Magic into new queries, forms, paintings, and sculptures. Previous Next

Warburton Gallery EXHIBITION Identity Theft and Beyond Chukes DATES: JAN 20 - APR 14 YEAR: 2024 Previously on view in the Warburton Gallery < Back OVERVIEW ADDITIONAL INFORMATION ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. My creative journey started in Northern California in the early 1960’s. I was born in Vallejo, California and my family moved to San Jose, California when I was a year old. I grew up during the Civil Rights and Black Power movements, amidst the free-thinking Flower Children, Vietnam War, the killings of Black Power leaders and the assassination of a U.S. President. Even while all this was happening right at my doorstep, my childhood was a wonderland of creativity with no one in authority censoring my artistic freedom and thoughts. My parents did an incredible job of keeping our family safe yet always informed us of the impending dangers from the world around us! As I grew older, I began to understand the importance of a using my art as a meaningful educational and historical tool. The concept of the Identity Theft body of work started in 2016 where I witnessed and experienced the unprecedented televised violence on people of color. My social conscious could not be restrained and soon after my artistic instincts kicked in. I began to create this work based on a multitude of dreams and visions. As an African American living and working in Southern California, I am bound to my African roots. Each work of art expresses the importance of understanding my history, and the origins of creativity and knowledge. This exhibition counteracts the negative stereotypes that have led so many races to believe they have contributed nothing of importance to humanity. As I look back at my own family history, as well as researching world history, I reflected on what I have and have not been taught about myself, and other people and cultures of the world. This work is my artistic representation of what happens when people or nations of people are stripped of their indigenous identity and re-taught a history that historically filters the truth and presents an incorrect version of past and present injustices. This filtered history, as I call it, is being used against us as a weapon of self-destruction. Our existence on this planet depends on our perceptions and understanding of one another. An incorrect version of history should be viewed as a crime against humanity. The art in this exhibit reflects my truth! Here we are in the 21st century and it feels as if the world is going backwards. In today’s societies, vast numbers of people are becoming increasingly fearful to speak up and act against senseless hate crimes and injustices. Like so many others, I too have been personally victimized by racial ignorance. Instead of reacting through violence, I have chosen to use my artistic voice to speak out against hate. This exhibit also includes new and unseen works that is a continuation of Identity Theft. We must start conversations that include all voices and races. There is no time limit in creating the truth! I use the power of my art to express my voice! Chukes, Time Traveler , 2023, ceramic. Previous Next

Cowell Gallery EXHIBITION The Big Red Chair Project Eve Page Mathias DATES: MAY 6 - AUG 13 YEAR: 2023 Previously on view in the Cowell Gallery < Back OVERVIEW ADDITIONAL INFORMATION ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. "There once was a big red chair in my living room. My sweet old dog, Luna, enjoyed sitting up on the back of it so she could look out the window. Luna passed, and the chair got old, too. Because this chair means a lot to me, I pushed it into my studio. It is a reassurance as I work that mv little one is still there and that there are cherished triends to come. This chair anchored me. It has become a symbol of where my place in the world was during the Covid crisis. Now, when I ask someone to sit in the red chair, it "connects the dots" between those missing moments when was separated from mv friends and loved ones. Then we all emerged and came back together. When it was okay to see folks and the mist cleared, we were allowed to see each other again... I began a project of portraits of my dear female friends. Why only women? I think it was because I missed them the most. I puzzled over this because also treasure my triends who are male, and certainl) would like to paint them. Maybe it is because there is the yearning - the aching of the soul - that I perceive as a part of the female psyche. This was a good place to start because it is where resonate as a female person. But I also missed myself as an individual, a unique human being. During Covid one was only a cipher, not someone interesting. We were all just "Things" with masks who might possibly be a spreader of the disease. or worse, die. We were reduced to robots doing our jobs on a digital platform, being parents who couldn't permit our expressions of love because we were afraid we could make our children sick. I taught at the college level and suddenly had to reduce my persona into a voice on a computer monitor. This is not healthy for a person who thrived by human contact. Thus, the Big Red Chair Project began." Eve Page Mathias https://www.tritonmuseum.org/bigredchairproject "My Queen" Previous Next

Unknown EXHIBITION Unsettled and Miles Away Dora Duan DATES: SEP 18 - JAN 16 YEAR: 2021 Previously on view in the Unknown < Back OVERVIEW ADDITIONAL INFORMATION ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. Previous Next

Rotunda Gallery EXHIBITION Breaking Free Sculpture Exhibition Various Artists DATES: OCT 2 - NOV 28 YEAR: 2021 Previously on view in the Rotunda Gallery < Back OVERVIEW ADDITIONAL INFORMATION ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. Previous Next

< Back Tamera Avery SEP 21 - JAN 5 Tamera Avery: Slipstream The Triton Museum of Art presents Tamera Avery: Slipstream by Bay Area Artist, Tamera Avery. At once surreal and sublime, Tamera Avery's monumental paintings feature masked and costumed figures situated in liminal spaces. From glacial edges to post-nuclear bunkers, these environments are imbued with both potential and uncertainty: within them, young individuals navigate unconventional paths, transforming everyday objects into symbolic armor. Tamera Avery: Slipstream will be showcased in the Permanent Collection Gallery. Artist Statement: My work is a celebration of youth, where the young are the champions of change in flawed social, political, and environmental landscapes. Faced with ever-mounting global change, the young have the knowledge to understand what is at stake and—with their increasingly powerful voices—the ability to rearrange the balance of power. To shift this balance visually, my subjects wear masks and costumes that augment their agency and the space they take up. Originally prompted by folk carnivals celebrating the arrival of spring, I employ found images and objects along with homemade costumes to portray figures modest in composition but heroic in execution. Through a process starting with collage, isolated images function as vocabulary, deconstructing visual truths and reconstructing them into stories that call for action. Using imagery from the White House to Chernobyl, icebergs to abandoned ships, I work at the intersection of the current reality and the possibility of change to tell a story of hope in a landscape of despair—with armor-clad youth standing in the path of destruction. Previous Next

Gala Info Here's the overview: Date: Saturday, May 2nd, 2026 Time: 6:00PM-9:00PM Location: Triton Museum of Art Ages: 18+ Individual Tickets: $175/person Scroll down for information about Gala Sponsorships for group tickets! Tickets Gala Sponsorships We invite you to join us as a sponsor of our Annual Gala! For details on the package inclusions for each sponsor level, please see below. For more information, or to discuss sponsorship opportunities, please contact Preston Metcalf, Executive Director, at pmetcalf@tritonmuseum.org or Olivia Osborn, Rental and Events Administrator, at rentals@tritonmuseum.org . To purchase a sponsorship, you can pay by check addressed to: Triton Museum of Art 1505 Warburton Ave., Santa Clara, CA 95050 Memo: Gala Sponsorship The Triton Museum of Art is a 501(c)(3) non-profit organization. A portion of your sponsorship is tax-deductible. Please consult your tax advisor as appropriate. Sponsorship Tiers BUSINESS CLASS SPONSOR $1,200 8 Gala Tickets Discount of individual ticket price Sponsor recognition in the event program, on the Triton website, and in all Gala marketing promotions Recognition during the Gala on all gallery monitors FIRST CLASS SPONSOR $2,500 All of the above benefits Sponsor/Museum Supporter in gallery recognition in the Museum and on the Triton website for an entire year A Triton logo tote bag for each of your party members VIP SPONSOR $5,000 All of the above benefits One (1) complimentary facility use of the Historic Jamison-Brown House for your company meeting, private celebration, or social event for up to 40 people in the following year. (Contingent on scheduling availability) Other publicity to include Gala Sponsors: Press releases provided to dozens of local newspapers, periodicals, City of Santa Clara publications, and Content Magazine CATERING BY Catered Too Website > Interested in donating to our silent auction? Fill out our form and we'll get back to you with all the details. We appreciate your interest! First Name Email Last Name Phone What would you like to donate? Send Thanks for submitting!

Cowell Gallery EXHIBITION An Ode to Planets Yunan Ma DATES: JAN 13 - APR 28 YEAR: 2024 Previously on view in the Cowell Gallery < Back OVERVIEW ADDITIONAL INFORMATION ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. Yunan Ma was born and raised in Taiyuan, China. She grew up learning fine arts, and was accompanied by a diverse talents of family members. Yunan came to the United States at the age of 17. After graduating from Savannah College of Art and Design with a BFA in Fashion Marketing and Management, Yunan worked at a well-known leather handbag company, where she mastered leather weaving techniques. Throughout the work experience, Yunan was fascinated about weaving and knitting subjects and discovered her passion in this field. To pursue her interest, she returned to school. In 2018, Yunan graduated from Academy of Art University with a MFA in Knitwear Design, where she was mentored by the famous knitwear designer Midori Sergent. Yunan was the only knitwear designer to attend the New York Fashion Week graduation runway; in addition, she was selected for 2018 CFDA+ Design Graduates Program. In the same year, the first pieces of Yunan Ma Fiber Art was created in her living room in San Francisco Bay Area with leftover materials from the knitwear collection. Yunan Ma Fiber Art is executed with the finest natural fibers including merino wool, alpaca wool, mohair, silk, cotton, and novelty accent, that are carefully selected from top yarn mills around the world. With a fine arts and knitwear design background, Yunan believes fiber art is more than beautiful textures and exquisite craftsmanships. Every piece depicts a storytelling experience by interpreting energy and emotion in a cheerful way. A complex universe can be discovered inside of her fiber creatures, big or small, quiet or loud. Through the vision in her art, unlimited enthusiasm shines through from the creative manipulation of materials and techniques. In “An Ode to Planets”, Yunan invites you to embark on a sensory odyssey inspired by the ethereal beauty of the galaxy, creating an immersive environment where the boundaries between the celestial and the terrestrial blur. The installation in this exhibit is crafted with an intentional embrace of organic forms, as well as playing the contrast between the organic warmth of matte wool and the cool sophistication of sleek surfaces. The swirling textures on the circular pieces tribute to the planets that have ceaseless activity in the universe. The reflective surfaces interact to form a dynamic composition that invite flow and exploration. This contrasting illustrates the harmonious coexistence of busy constellations and empty space. It is a visual metaphor for the dualities inherent in the cosmos. “Blossom in the Moonlight” captures the essence of growth, transformation, and the undiscovered excitement in the universe. It depicts delicate flowers bloom in the vast expanse of space during the enigmatic hours, and evokes a sense of wonder and elegance. It unfolds a transition between the phases of day and night, vitality and stillness. All of the elements in “An Ode to Planets” encapsulates the reverence admiration for the space and human emotions. Yunan invites you to this visual dialogue thread the rhythmic oscillation of vibrancy and calm, and allows yourself to gallivant around the planets and the space, to feel the interplay of lights and shadows, and to embrace the roaming imagination. Yunan Ma, Blossom in the Moonlight 9, 2023, merino wool, copper hoop. Previous Next

We invite you to read selected novels about art or famous artists before we meet, and then join us on the first Wednesday morning of each month, for an art history presentation about that month’s novel, the portrayed artist, and related art, as presented by Triton Museum Executive Director Preston Metcalf and Triton Museum Associate Curator Vanessa Callanta. Book Club Monthly meetings on the first Wednesdays of each month 9:30 - 10:30 AM PST at the Triton Museum of Art. (doors open at 9:00 a.m. for coffee and donuts; presentation begins at 9:30 a.m.) We invite you to read selected novels about art or famous artists before we meet, and then join us on the first Wednesday morning of each month, for an art history presentation about that month’s novel, the portrayed artist, and related art, as presented by Triton Museum Executive Director Preston Metcalf and Triton Museum Associate Curator Vanessa Callanta. Learn how the novel does — or doesn’t — comport to the actual history of its subject, and hear more about the artwork and the artists’ times in which they were created. Admission to the monthly book club art history lectures is free for Triton Museum of Art Members ($5 donation requested for non-members), and all are welcome, whether you have actually read the book or not. Coffee and pastries will be served. Discussions are held safely distanced & in person at the Triton Museum of Art Free for TMA members, $5 suggested donation for non-members Take a look at what we'll be reading for 2026! DOWNLOAD This Upcoming Month's Book: Jurassic Park by Michael Crichton March 4th, 2026 Jurassic Park is a cautionary tale about attempts to recreate the past, and the inherent danger of such endeavors. Before it was a bestselling novel and series of blockbuster movies, the art of paleontology generated our primary views of the giants that once roamed the earth. These illustrations were at the intersection of art, science, and history, and revealed worlds beyond imaginations. Triton Curator Vanessa Callanta will guide us through the development of this particular and vital body of art that helped form our understanding of the past, as well as lead to modern-day portrayals that brought these creatures to life.

Unknown EXHIBITION Paintings Bing Zhang DATES: JAN 29 - MAY 7 YEAR: 2022 Previously on view in the Unknown < Back OVERVIEW ADDITIONAL INFORMATION "I tend to paint people in moments of introspection or concentration. I want to capture moments when people show their real character and mood which are normally hidden behind the mask they put on in public. My painting is also about story telling. I try to tell stories that show the hidden truth which reflects people's relationship, their living condition, their mental state, their interests, and other aspects of their disposition in the world. My goal is to search out the humanity within these situations." Bing Zhang Previous Next

Permanent Collection and Rotunda Gallery EXHIBITION Salon at the Triton: A 2D Art Competition and Exhibition Various Artists DATES: MAY 25 - SEP 8 YEAR: 2024 Previously on view in the Permanent Collection and Rotunda Gallery < Back OVERVIEW ADDITIONAL INFORMATION ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. NA Out of gallery Salon at the Triton Museum, 2023 Previous Next